home *** CD-ROM | disk | FTP | other *** search
- <text id=93TT1544>
- <title>
- Apr. 26, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Apr. 26, 1993 The Truth about Dinosaurs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 71
- SHORT TAKES
- </hdr>
- <body>
- <p>THEATER
- </p>
- <p> A Dime-Store Ziegfeld
- </p>
- <p> TOM MEEHAN, THE LIBRETTIST OF ANNIE, describes his latest
- effort as "a brand-new 1948 musical." He means that AIN'T
- BROADWAY GRAND, which opened last week on the Great White Way,
- is a deliberate throwback to the aesthetic described in one of
- its lyrics as "tall dames and low comedy." Full of loud and
- tuneful music, skimpy costumes, tireless dancers, ageless
- baggy-pants comics, chutzpah and pizazz, the show celebrates the
- life and craft of producer Mike Todd, a dime-store Ziegfeld best
- remembered these days as the third of Elizabeth Taylor's eight
- husbands. That biographical fact is a little inconvenient for
- the narrative, which builds to a reconciliation with a prior
- wife, film star Joan Blondell. But in its corny, cheerily
- brainless way, the show is a charmer.
- </p>
- <p> THEATER
- </p>
- <p> Out to Lunch
- </p>
- <p> When the two big laughs come from a bathtub-size salad
- bowl and a food fight, you can guess that the playwright is
- flailing. Tina Howe (The Art of Dining, Coastal Disturbances)
- probably meant ONE SHOE OFF, which opened off-Broadway last
- week, as a poetic comment on the corrosive effects of
- professional failure on personal life, combined with a feminist
- fantasy of zipless fulfillment. Instead of an absurdist Who's
- Afraid of Virginia Woolf? her tale of two unhappy couples at a
- fiasco of a dinner party resembles sketch comedy--wacky
- whimsies stitched together, abasing an able cast. The one
- memorable notion: an abundance of unwanted vegetables
- flourishing everywhere inside, not outside, a crumbling country
- house.
- </p>
- <p> CINEMA
- </p>
- <p> Triple Play
- </p>
- <p> Comedy short subjects long ago vanished from movie houses;
- now they are made for TV. TWO MIKES DON'T MAKE A WRIGHT is a
- trio of such trifles packaged for theatrical release. The
- Appointments of Dennis Jennings showcases Steven Wright's
- affectless paranoia ("I remember when I was in the womb; I was
- over on the right"). Michael Moore of Roger & Me reruns his
- rollicking contempt for General Motors (and for humanity) in
- Pets or Meat. The gem is A Sense of History, directed by Mike
- Leigh. Jim Broadbent, who wrote this deft monologue, plays a
- squire of Churchillian mien and Sweeney Todd meanness. Not since
- Browning's My Last Duchess has an aristocrat confessed his
- crimes with such self-lacerating wit.
- </p>
- <p> BOOKS
- </p>
- <p> On the Byways Of New York
- </p>
- <p> Come on along, fiction lovers, James Wilcox writes your
- kind of book. GUEST OF A SINNER (HarperCollins; $20), his sixth
- novel, is a funny, rambling chronicle of half a dozen people in
- New York City whom any sociologist would label misfits. Eric
- Thorsen gets by as a piano teacher and accompanist. His sister
- sells espresso machines at Macy's. Their father brews trouble.
- So do the people drawn to the Thorsens, mostly by Eric's good
- looks--to which he is indifferent. Wilcox's skill is in taking
- the reader by the hand into his shaggy narrative and filling it
- with unexpected turns. Serious things happen in his books
- (Modern Baptists, Polite Sex), and the characters are not
- frivolous. Yet--mostly in self-recognition--the reader
- laughs.
- </p>
- <p> MUSIC
- </p>
- <p> The Wheel of Love
- </p>
- <p> The most passionate couples can become the worst of
- enemies, as love and hate loop into each other like a Mobius
- strip. "I'll kill you if we can't be friends," ROSANNE CASH
- sings on her new pop-country album The Wheel (Columbia), and
- instantly we feel that she understands this love-hate
- connection, that she might even have lived it. "I'm not looking
- for your answers," Cash sings on the title cut. "Just to know
- the question/ Is good enough for me." The questions she raises
- have a kind of unanswerable rhetorical strength. She sings on
- the closing track: "If there's a God on my side,/ Why don't she
- show me her face?" Ironic: religious doubts from a woman with
- the voice of an angel.
- </p>
-
- </body>
- </article>
- </text>
-
-